“Watts turns Batti, batti into a song of seduction, claiming the entire audience as her conquest.”

Andrew Clark, Financial Times

 

“Elizabeth Watts’s Zerlina was exquisitely sung, elevating the character into a passionate, sexually aware creature who has clearly outgrown her provincial past.”

Ashutosh Khandekar, Opera Now

 

“Best of all was Elizabeth Watts’ Zerlina – perhaps the most purely captivating aspect of an invigorating if uneven evening.”

Rupert Christiansen, Daily Telegraph

 

“Holten is lucky with his cast…Elizabeth Watts’ perky Zerlina… ”

George Hall, The Stage

 

– Andrew Clark, Financial Times