Mozart, Don Giovanni, The Royal Opera House, February 2014

“Watts turns Batti, batti into a song of seduction, claiming the entire audience as her conquest.”

Andrew Clark, Financial Times


“Elizabeth Watts’s Zerlina was exquisitely sung, elevating the character into a passionate, sexually aware creature who has clearly outgrown her provincial past.”

Ashutosh Khandekar, Opera Now


“Best of all was Elizabeth Watts’ Zerlina – perhaps the most purely captivating aspect of an invigorating if uneven evening.”

Rupert Christiansen, Daily Telegraph


“Holten is lucky with his cast…Elizabeth Watts’ perky Zerlina… ”

George Hall, The Stage


– Andrew Clark, Financial Times